Working on this video was interesting: I recently found that one of my cameras has an audio glitch, delaying the audio in the clips by eight seconds. Normally, syncing is a breeze since I’ve gotten really good at matching waveforms and documenting my recording start times, but it took me a few tries to figure out what was actually happening. I’m doing a reset on the thing and we’ll see if it behaves when I go and do some tests.
If you’re already longing for Oyster Ridge 2020, check out this lovely performance from Escaping Pavement to get you by! This band was slick and soulful and their sound was so inviting! Escaping Pavement have a new album out and you should check it out on their website below. They came to Wyoming this summer to offer some of their trademark southern rock-inclined, neo-country sound. I’m starting an ORMF playlist of all the awesome bands we got to enjoy in Kemmerer, can’t wait for next year!
Working with Oyster Ridge has not only allowed me to capture top notch talent, but also to fulfill my goal of working as a performance arts videographer, and develop that part of my creative brain. This song stuck with me all summer and dare I say, it was one of my festival favorites. When we got back from the festival, it was the first one I wanted to edit because it was such an enthralling moment in their set. So you can be sure Ghost of Paul Revere is now a regular on my Spotify!
Now if you’re in Wyoming or neighboring areas, and are interested in learning more about Wyoming’s largest FREE music festival, please visit www.oysterridgemusicfestival.com. It’s a phenomenal labor of love and it’s a wonder to see it come to life each July! See you next year and bring your friends!
July 24-26, 2020
So enjoy this brand of holler folk from Maine, and please don’t forget to support Ghost of Paul Revere at www.ghostofpaulrevere.com, they are outstanding!
Looking forward to one of my favorite video projects coming fast at the end of July: The Oyster Ridge Music Festival!
Truly Wyoming’s Premier Music Festival event, the great folks in Kemmerer, WY host some of the best talent from the folk and bluegrass scene nationwide, and bring them to us FREE! This will be my third year providing videography for the festival and I am just overjoyed to know such a tremendous group of people. This festival, top to bottom, is a complete labor of love. Many of the musicians I have interviewed attest it’s one of the most well-run festivals they’ve played, and time and again, I have heard them say everyone is just so nice around here. I can’t imagine a better message to send out to the rest of the country about what we’re all about in Wyoming.
This will be the 25th anniversary of the festival and I, for one, can’t wait to see this lineup live! Here’s our recap from last year which included the Grammy Award-winning Steeldrivers! Bluegrass is not my default setting, but coming to this festival and surrounding myself in the genre has really made me fall in love with it. There is an earnest quality about the music and undoubtedly an insane amount of talent.
The prep begins!
To me, Oyster Ridge is a one man band videographer’s dream. There is so much happening that without a game plan, it is bound to overwhelm. Lucky for me, I was able to pick up a few tricks from my first trip that now I can simply enjoy the process, the friendly atmosphere, as well as the incredible talent onstage.
When in doubt, I always refer to two of my great inspirations for concert films: The Santana performance in the Woodstock documentary, and Queen’s 1985 performance in Live Aid. I liken that electricity they captured to something perennial and ritualistic and ultimately so gratifying. I’m fortunate this was my introduction to their music and my cassette tape sensibility, which still guides me when it comes to video work. It’s incredibly appealing to hold the camera in my hands as I record the details around me. The imperfections of an un-cinematic zoom, or a panning shot that slightly jitters, are there to remind you there is actually someone behind the camera. I was so hesitant to give up that organic, imperfect feeling that I didn’t feel the need to own a stabilizer until recently. Maybe it’s refusing to adapt, or being honest about what works and doesn’t work for me, but no matter the project, I choose to go handheld most of the time. It’s more immediate to me. More human. That’s what I love about those live broadcasts and now hallowed concert recordings: It really felt like the folks framing the shots really were immersed and invested in what was transpiring right in front of them. I know it’s a tall order to aspire to produce a work like those epic concert films, but it’s fun to revere them and emulate them. In my own way, I want to continue to create videos that highlight the pure joy and freedom of an expertly executed performance. I don’t mean to say great artists who craft technically superb projects using stabilizers can’t connect with their subjects. As artists, we all have an approach that rings uniquely true to each of us. The tools are there for us to create an aesthetic that makes sense to us, and hopefully, will make sense to a viewer. As long as we’re pursuing to deliver something honest.
I’ve been so eager to get back to Kemmerer, I’ve gone back to last year’s footage to remind myself what I’m in for. I like to do a multi-cam setup and work the cuts to amplify the intensity of the performances. I’m moving away from Premiere as well, so I thought this would be a good opportunity to play around with DaVinci Resolve and the other alternatives. The biggest difficulty so far is getting comfortable with the color correction “nodes” in DaVinci, but in due time, I think it will get the job done for me.
Of the many performances we got last year, this closing number from Mike Mangione & the Kin was amazing. Hope you enjoy! More to come,
Please check out the Oyster Ridge site for more information! Did I mention it’s free?!